return to appendices 3, 4, 5 i or 5 ii return to index The Life and Work of Godfrey Clive Miller, 1893 - 1964 PhD thesis by Ann Wookey Appendix 3: Miller's paintings by period and dimensional ratio __________________________________________________ notes 1. The figure shown in bold type to the left of the entry is the painting's sequence number from Appendix 5 [a dash indicates not included there]. 2. Incomplete detail listed - for additional information, see painting's entry in Appendix 5. ** indicates a date attributed by myself which differs from that given in others - see Appendix 5 notes. __________________________________________________ Appendix 4. First exhibition of drawing by G Clive Miller, and exhibitions from after 1952 which have included works by Godfrey Clive Miller (other than pencil drawings) __________________________________________________ abbreviations ca circa cat no catalogue number cat no unkn catalogue number unknown gns guineas nd not dated nfs not for sale uncat uncatalogued ** date attributed by myself that differs from that given by others [see Appendix 5 notes] *** work not identified, ie, excluded from Appendix 5 notes Each identified picture's detail is an abbreviated version of that given in Appendix 5, but with any alternative title, measurements, etc, for that exhibition shown in brackets. The bracketed figure in bold type following a title is the painting's sequence number from Appendix 5. return to top __________________________________________________ Appendix 5. Catalogue: works by and attributed to Godfrey Clive Miller __________________________________________________ notes content & presentation these differ marginally from the version lodged with my thesis, principally to improve clarity and readability, and sometimes to correct errors; I intend updating the information as circumstances allow [Jan 2010]; as well, since around 2000, images and details of Miller’s works are increasingly finding their way to the internet, so an appropriate hyperlink now underlies a work’s title and / or acc no, coloured green as here when the image is freely accessible, and red when subject to access restrictions artwork cat no top of lh column for each artwork entry: allocated by myself, using stylistic analysis for the career phases identified, thematically ordered by landscapes, abstracts, still lifes, figure subjects and religious works; in addition, the number accompanies its title whenever mentioned in the descriptive contents, format [xxx] artwork details obtained from the work if seen; otherwise, from correspondence held and / or the most recent bibliographic source dating the date given is that most generally shown in the most recent reference; when altered by myself, the date is preceded by ** collection date / s a date present relates the first and / or latest known for the given collection estate id JH: part of the inventory number, the other part being numerical, format JHxx, allocated by the Estate of Godfrey C Miller, and most generally applied to oil paintings; noJH: no inventory number known to have been ascribed by the Estate of Godfrey C Miller - eg, artwork dispersed prior to Miller's death, etc; W: part of the inventory number, the other part being numerical, format Wxx, allocated by the Estate of Godfrey C Miller, and generally applied to watercolours; JHnk: estate inventory number unknown; ap: acquired prior to the artist's death [May 1964], ie, no estate id allocated; dest: destroyed collection / provenance details given are not necessarily complete; dates shown are the latest known for the given collector; the earliest date known is also given at times; when the provenance is questioned, there is the likelihood of a match between the work under discussion and that of the source indicated, but no affirming evidence has yet become available exhibition organisors, curators, etc unless full publishing details appear in the reproduction or referenced sections of entries, these identifications, when known, follow the exhibition title, inside brackets abbreviation meanings [b&w] : black and white reproduction [col] : colour reproduction acc no : accession number ca : circa cat no : catalogue number corres : information derived from Miller’s & others’ correspondence cr : centre right d : died lh / lhs : left hand / side ll : lower left lr : lower right nd : not dated nfs : not for sale opp : opposite rh / rhs : right hand / side uc : upper centre ul : upper left unkn : unknown ur : upper right ** : date attributed by author through stylistic analysis, references in Miller’s correspondence, etc, when differs from proposals of others return to top

return to appendices 3, 4, 5 i or 5 ii return to index

The Life and Work of Godfrey Clive Miller, 1893 - 1964

PhD thesis by Ann Wookey

Appendix 3: Miller's paintings by period and dimensional ratio

__________________________________________________

notes

1.The figure shown in bold type to the left of the entry is the painting's sequence number from Appendix 5 [a dash indicates not included there].

2.Incomplete detail listed - for additional information, see painting's entry in Appendix 5.

3. ** indicates a date attributed by myself which differs from that given in others - see Appendix 5 notes.

__________________________________________________

Appendix 4. First exhibition of drawing by G Clive Miller, and exhibitions from after 1952 which have included works by Godfrey Clive Miller (other than pencil drawings)

__________________________________________________

abbreviations

ca circa
cat no catalogue number
cat no unkn catalogue number unknown
gns guineas
nd not dated
nfs not for sale
uncat uncatalogued
** date attributed by myself that differs from that given by others [see Appendix 5 notes]
*** work not identified, ie, excluded from Appendix 5

notes

1.Each identified picture's detail is an abbreviated version of that given in Appendix 5, but with any alternative title, measurements, etc, for that exhibition shown in brackets.
2.The bracketed figure in bold type following a title is the painting's sequence number from Appendix 5.

return to top

__________________________________________________

Appendix 5. Catalogue: works by and attributed to Godfrey Clive Miller

__________________________________________________

notes

1.content & presentation
these differ marginally from the version lodged with my thesis, principally to improve clarity and readability, and sometimes to correct errors; I intend updating the information as circumstances allow [Jan 2010]; as well, since around 2000, images and details of Miller’s works are increasingly finding their way to the internet, so an appropriate hyperlink now underlies a work’s title and / or acc no, coloured green as here when the image is freely accessible, and red when subject to access restrictions
2.artwork cat no
top of lh column for each artwork entry: allocated by myself, using stylistic analysis for the career phases identified, thematically ordered by landscapes, abstracts, still lifes, figure subjects and religious works; in addition, the number accompanies its title whenever mentioned in the descriptive contents, format [xxx]
3.artwork details
obtained from the work if seen; otherwise, from correspondence held and / or the most recent bibliographic source
4.dating
the date given is that most generally shown in the most recent reference; when altered by myself, the date is preceded by **
5.collection date / s
a date present relates the first and / or latest known for the given collection
6.estate id
JH: part of the inventory number, the other part being numerical, format JHxx, allocated by the Estate of Godfrey C Miller, and most generally applied to oil paintings;
noJH: no inventory number known to have been ascribed by the Estate of Godfrey C Miller - eg, artwork dispersed prior to Miller's death, etc;
W: part of the inventory number, the other part being numerical, format Wxx, allocated by the Estate of Godfrey C Miller, and generally applied to watercolours;
JHnk: estate inventory number unknown;
ap: acquired prior to the artist's death [May 1964], ie, no estate id allocated;
dest: destroyed
7.collection / provenance
details given are not necessarily complete; dates shown are the latest known for the given collector; the earliest date known is also given at times; when the provenance is questioned, there is the likelihood of a match between the work under discussion and that of the source indicated, but no affirming evidence has yet become available
8.exhibition organisors, curators, etc
unless full publishing details appear in the reproduction or referenced sections of entries, these identifications, when known, follow the exhibition title, inside brackets
9.abbreviation meanings
[b&w] : black and white reproduction
[col] : colour reproduction
acc no : accession number
ca : circa
cat no : catalogue number
corres : information derived from Miller’s & others’ correspondence
cr : centre right
d : died
lh / lhs : left hand / side
ll : lower left
lr : lower right
nd : not dated
nfs : not for sale
opp : opposite
rh / rhs : right hand / side
uc : upper centre
ul : upper left
unkn : unknown
ur : upper right
** : date attributed by author through stylistic analysis, references in Miller’s correspondence, etc, when differs from proposals of others

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